![]() This new preset shows up in the category for which you created it – Custom, in our example. Give the new preset a name and description, then click OK. When the settings are complete, click the Save Preset button. NOTE: If you are shooting RAW or Log files, you’ll probably find a preset that already exists. This codec is now supported on both Mac and Windows and works for all video shot by cameras. This setting determines the format you output in the event clips don’t match the sequence setting. Leave the Audio settings alone, the defaults are fine. Set the Display format to match the Timebase.Set Fields to Progressive, unless you know for sure that you need interlaced.The exceptions are: standard-definition video, HDV and some versions of Panasonic P2. Virtually all current cameras shoot square pixels. Set Pixel Aspect Ratio to Square Pixels.Set the Frame size to the size you need.In the event you can’t, it is better to change the frame rate during editing, rather than later during compression. NOTE: It is best to shoot the frame rate you need to deliver. ![]() Change Timebase to match the frame rate you need to deliver.Why? Because we will change all these settings in the next step.Ĭlick the Settings text button at the top of the window. Select any of the Available Presets – for this example, I chose XDCAM HD > 1080p30. (See the screen shot below.)īut, what if you don’t have any clips that match your setting, or you need a specific setting for a multicam clip? In these instances, creating a custom sequence preset is your only option. The easiest way to create a new sequence in Adobe Premiere Pro is to drag a clip containing the settings you want to use on top of the “folded paper” icon in the lower right corner of the Project panel.
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